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As an example, in his first scene with Benvolio, he explains Rosaline’s cold heart is the cause of his morose behavior—he does not look beyond this to determine the real reason for his unhappiness—that he has not yet found true love.The “three civil brawls” (1.1.91) the Capulets and Montagues have engaged in force Prince Escalus to determine: “If you ever disturb our streets again,/Your lives shall pay the forfeit of the peace” (1.1.98-99), thus driving the story forward.Expectations the objective characters have for one another create problems. /I tell thee what: get thee to church o’ Thursday,/Or never after look me in the face. was a daughter, wife, or widow expected to be chaste, silent, and above all, obedient.An illustration of this is seen in Paris, Juliet’s prospective bridegroom. (3.5.166-68)Juliet is driven by the expectations placed upon her: A woman . It is a profound and necessary act of historical imagination, then, to recognize innovation in the moment when Juliet impatiently invokes the coming of night and the husband she has disobediently married: “Come gentle night; come loving black-browed night,/Give me my Romeo” (3.2.21-23) (Paster 254).“In terms of the play’s symbolic vocabulary, Juliet’s preparations to imitate death on the very bed where her sexual maturation from girl to womanhood occurred confirms ironically her earlier premonition about Romeo” (Paster 263): If he be married,/My grave is like to be my wedding bed (1.5.148-49).In the second, tragic, movement of the play, the Nurse brings Juliet the news of Tybalt’s death and Romeo’s banishment . In Romeo and Juliet, experience creates a generation gap between old and young. A child of her father’s house, Juliet only has security when she obeys the rules.

Later, the Nurse brings Juliet a happy reply (II,v). This is seen particularly in Lord Capulet and Nurse, both who think they know what’s best for Juliet, and Friar Lawrence, who counsels the young lovers. Juliet threatens Romeo’s relationship with his male friends: “Romeo is not really asked to choose between Juliet and his family but between Juliet and Mercutio, who are opposed in the play’s thematic structure” (Paster 261); Juliet “threatens suicide if Friar Lawrence cannot save her from marrying Paris” (Mowat and Werstine 176).Buying poison, he comes to the vault to have a last sight of Juliet. Less than a minute’s hesitation here would have saved his life and Juliet’s, but Romeo acts in passionate haste” (Gibbons 53). Be merciful, say “death,”/For exile hath more terror in his look,/Much more than death. ROMEO [Aside] Shall I hear more, or shall I speak at this? As an example of “conceiving” as the standard by which growth is measured in the subjective story, after their first meeting, Juliet conceives of the next step in their relationship: JULIET Three words, dear Romeo, and good night indeed.He chances upon Count Paris outside the vault; they fight and Paris is killed. Romeo does not allow himself the luxury of confidence: “Romeo fears ‘Some consequence yet hanging in the stars’ when he reluctantly goes to the Capulet’s feast (1.4.107); After he has slain Tybalt, he cries ‘O, I am fortune’s fool! Although Romeo’s nature does not essentially change, he does mature from an apprehensive boy to a man confident in his decisions. If that thy bent of love be honorable, Thy purpose marriage, send me word tomorrow, By one that I’ll procure to come to thee, Where and what time thou wilt perform the rite And all my fortunes at thy foot I’ll lay And follow thee my lord throughout the world. Shakespeare set the scene in Verona, Italy, during July.Gibbons asserts: “In Romeo and Juliet the play’s decisive events occur with instantaneous suddenness: servants brawl on sight, the lovers fall in love at first sight, the shock of the tragic catastrophe converts the parents suddenly and completely from hate to love” (70).The grief stricken Capulets and Montagues reconcile, horrified the ancient grudge has resulted in their children’s deaths: PRINCE A glooming peace this morning with it brings.The Prince will not tolerate any more “frays” on the part of the Capulets and Montagues; Lord Capulet does not tolerate his daughter’s insubordination, neither does Lady Capulet: “Talk not to me, for I’ll not speak a word./Do as thou wilt, for I have done with thee” (3.5.215). The action that starts the story is halted when, after the feuding families have engaged in “Three civil brawls”(1.1.91), the Prince threatens Capulet and Montague: “If ever you disturb our streets again,/Your lives shall pay the forfeit of the peace” (1.1.98-99); As a warning to the community against further battles, Prince Escalus banishes Romeo. The Montagues and Capulets, the two chief families of Verona, are bitter enemies; Escalus, the prince, threatens anyone who disturbs the peace with death. Bryant asserts: What Romeo needs most of all is a teacher, and the only one capable of giving him instruction worth having and giving it quickly is Mercutio. And when gentle Romeo persists in day-dreaming, he says, “Be rough with love,” declares that love is a mire and that dreamers are often liars. Romeo creates fantasy girls—first seen with his mooning over Rosaline.Despite Prince Escalus’ pronouncement against further outbreaks of violence between the Capulets and Montagues: “Your lives shall pay the forfeit of the peace” (1.1.99), he is tolerant when Romeo kills Tybalt, allowing him banishment instead of death. Romeo sees at once that an irreversible process has begun . The objective story is impeded—Friar Lawrence counsels Romeo to wait patiently “. Romeo, son of old Lord Montague, is in love with Lord Capulet’s niece Rosaline. All the rest are unavailable, or ineffectual, like Benvolio, or unapt for dealing practically with human relations. The long fairy speech which follows dignifies idle dreams by marrying them to earth; its intent is to compel Romeo to acknowledge his senses and to bring him to an honest and healthy confession of what he is really looking for, but Romeo is too wrapped up in self-deception to listen. He tries to do the same with Juliet, but she will have none of that. (3.5.1-5)Juliet’s lack of experience undermines her efforts: “Her five-day maturation is a miracle which only Shakespeare could have made credible; yet at the end she is still a fourteen-year-old girl, and she succumbs to an adolescent’s despair” (Bryant lxxviii). At the start of her throughline she responds to her mother’s question: “Can you like of Paris’ love?The objective story accelerates when Friar Lawrence intuitively discerns, if he aids Romeo and Juliet in their desire to marry, their rival families will ultimately reconcile: “In one respect I’ll thy assistant be,/For this alliance may so happy prove/To turn your households’ rancour to pure love” (2.3.96-99); After Mercutio’s death: “. But at a feast given by Capulet, which Romeo attends disguised by a mask, he sees and falls in love with Juliet, Capulet’s daughter, and she with him. In Act 2 Mercutio tries harder, speaks more plainly, but prompts from his pupil only the fatuous “He jests at scars that never felt a wound.” Later still, in the battle of wits (2.4), Mercutio imagines briefly that he has succeeded: “Why, is not this better now than groaning for love? She makes him realize he is in love with a woman, not a fantastical creature of his imagination. It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear. ” (1.4.102), with: “I’ll look to like, if looking liking move./But no more deep will I endart mine eye/Than your consent gives strength to make it fly” (1.4.103-05). all my fortunes at thy foot I’ll lay/And follow thee my lord throughout the world” (2.2.150-55).After the feast he overhears, under her window, Juliet’s confession of her love for him, and wins her consent to a secret marriage. Now art though sociable, now art thou Romeo; now art thou what thou art, by art as well as by nature” (92.95). Conversely, the private world Juliet creates for Romeo is a fantasy from the reality of his harsh, external environment. Over the course of several days, however, Juliet transforms herself from dutiful daughter to a wife—fierce in her commitment to her husband, Romeo, following him even in death: “If that thy bent of love be honorable,/Thy purpose marriage . Juliet is a young teen—as her father informs Paris: “My child is yet a stranger in the world” (1.2.8).What sets Romeo apart from the other males in the story is his disposition in regard to women—one from which he essentially does not waver: Feuding, then, is the form that male bonding takes in Verona, a bonding which seems linked to the derogation of woman. Unaware of the friar’s scheme, Romeo returns to Verona on hearing of Juliet’s apparent death.But Romeo, from the very opening of the play, is distanced both physically and emotionally from the feud . He encounters Paris, kills him, and finds Juliet in the burial vault.


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